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Contents:
  1. Philosophy of Architecture (Stanford Encyclopedia of Philosophy)
  2. Shop with confidence
  3. Benjamin For Architects (Thinkers For Architects)
  4. Benjamin for Architects
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Clearly, Leach has a deliberate parti pris, and this is delivered, appropriately enough, in The Anaesthetics of Architecture. And yet, as in the anthology, history once more becomes a victim of ideology. For if theory today is largely extra-architectural, how logically might we expect an architecture of any kind—oppositional, traditional, formalist, or informe —to emerge from such theory? It is, after all, in the nature of extra-disciplinary criticism to refute the apparently secure bases on which productions are said to stand, to undermine the overconfident authorizing discourses of artists and architects, to set objects in context, to explain and to frame them with reference to other circumstances and conditions than those of their making.

This is, in fact, the chief strength of any such critique, and why it is so urgent that architects and their historians register these critical assessments. But still, architecture, whether avant-garde or conservative, must consist of recognizably disciplinary elements—forms, whether abstract or realistic, typological or process-generated; spaces, whether carved out, fenced round, excavated, or implied; technological and structural elements, whether high-tech or lo-tek, innovative or traditional.

Even the newly constituted realm of the digital must draw on such known elements to forge its infinity of morphings and animations, virtualities and diagrammatics. Which is to say that, while extra-architectural critique has ever stimulated architects and the public to think in different ways about objects that aesthetically shelter, only discourse internal to architecture has ever been able to discover the means to represent and materialize this difference.

For the uninitiated, such remarks give little sense of the complex aesthetic and political dynamics of 20th-century critical theory, of its chronology or internal oppositions. Perhaps the most puzzling aspect of both publications is their disregard of previous scholarship and critical work on the issues and authors engaged. Sharr draws on original research, including interviews with Heidegger's relatives, as well as on written accounts of the hut by Heidegger and his visitors. The book's evocative photographs include scenic and architectural views taken by the author and many remarkable images of a septuagenarian Heidegger in the hut taken by the photojournalist Digne Meller-Markovicz.

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Philosophy of Architecture (Stanford Encyclopedia of Philosophy)

There are many ways to interpret Heidegger's hut--as the site of heroic confrontation between philosopher and existence; as the petit bourgeois escape of a misguided romantic; as a place overshadowed by fascism; or as an entirely unremarkable little building. It's about how a place inspired a life's work, and how that work inspired modern architectural theory and, to a lesser degree, the sustainability movement. The hut has a confidence, a rightness that is oddly indisputable, making in the end, even the philosopher's work seem transient and insubstantial.

It is a beautifully produced book, its verbal account of the hut fleshing out a compelling visual record of its interior and exterior, as well as its surrounding landscape. Reproductions of the Spiegel photojournaltst Digne Meller-Marcovicz's document of daily life in the hut casts fascinating light on the relationship between thinking and dwelling in Heidegger's thought.

Heidegger's detractors will likely find confirmation in the portentousness of his studied poses; moreover, Sharr's discussion of Heidegger's decision to electrify and install a telephone in the hut provokes the question of whether his talk of "authentic" poetic dwelling was, as Adomo's withering phrase would have it, so much "jargon". Josh Cohen, TLS. It is the story of a grand plan to demolish most of Whitehall, London's historic government district, and replace it with a ziggurat-section megastructure built in concrete.

Still reeling from war damage, its eighteenth and nineteenth century palaces stood as the patched-up headquarters of an imperial bureaucracy which had once dominated the globe. The project was not executed in the manner envisaged by Martin and his associates, although a surprising number of its proposals were implemented.

But the un-built architecture is examined here for its insights into a distinctive moment in British history, when a purposeful technological future seemed not just possible but imminent, apparently sweeping away an anachronistic Edwardian establishment to be replaced with a new meritocracy forged in the 'white heat of technology'. The Whitehall plan had implications well beyond its specific site. It was imagined by its architects as a scientific investigation into ideal building forms for the future, an important development in their project to unify science and art.

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For the political actors, it represented a tussle between government departments, between those who believed that Britain needed to discard much of its Victorian and Edwardian decoration in the name of 'professionalisation' and those who sought to preserve its ornate finery. Demolishing Whitehall investigates these tensions between ideas of technology and history, science and art, socialism and elitism.

It presents a compelling case study of the relationship between architecture and power. Formerly grounded in values of craftsmanship, in the skilled making of products, 'quality' is now associated with the management of administrative or technical processes. Its appreciation, once based in the exercise of individual judgement and taste, is now often founded on supposedly objective systems of evaluation.

Practitioners of design are under pressure to quantify 'quality', but it is questionable whether it is possible or even desirable to do so.

Benjamin For Architects (Thinkers For Architects)

This book considers this important issue, looking at how quality is defined, appreciated, evaluated, managed and produced. With contributions from eminent architects and architectural critics, this book is for architects, academics, students and anyone interested in what architectural quality is, and how it may be achieved. Most orders are in transit for two days but some may take longer in some circumstances. If you have a specific time frame please contact us before you make the purchase.

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"The Architecture of Competitions" Benjamin Hossbach

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